|What I am reading
Jonathan Gold, Food Critic Who Celebrated L.A.’s Cornucopia, Dies at 57 by Pete Wells (New York Times)
I found Jonathan Gold’s writing in 2011, while I was trying to get a better handle on Korean food. He has a long list of dishes to try in L.A.’s Koreatown. He was a wonderful writer and I was shocked to see that he had died last Saturday. Too soon.
The Four Day Work Week is Good For Business by Adele Peters (Fast Company) +
5-Hour Work Day Increases Productivity (Business Insider)
Having every worker in every industry work an eight-hour day, five days a week doesn’t make sense. How could every single industry require the same amount of labor. Here’s a solution: 15-hour work week should be mandatory (pay remains equivalent to 40 hour workweek), with some sectors working less of course!
A Buffy the Vampire Slayer Reboot Starring an African-American Buffy Is on Its Way (Vulture)
If you ever watched Buffy, you’ll know that this reboot makes a lot of sense. A new slayer is activated every time the last one dies, so the show is ripe for rebooting (not that ripeness has ever stopped the reboot i.e. Spiderman).
An Artist Remakes a Film Classic — With Frankenstein’s Monster By MH Miller (T Magazine)
The video discussed in this article, “The Perfect Monster”, is currently on view at David Zwirner on 19th street. It is a shot-for-shot remake of a Jørgen Leth video, “The Perfect Human,” from 1967. But instead of focusing on young man, Da Corte’s video’s character is Boris Karloff and Frankenstein. The artist stars as both characters, in goofy and terrible prosthesis. Da Corte delivers wonderful and inventive set-design. The colors and textures are fun and joyous. There are dollar store brooms and lunch meat placed on the back of Frankenstein’s neck. I fell in love the first moment I saw it. If you get a chance to check it out, please let me know what you think. If you don’t live in NYC you can check out bits of the video here, though I would discourage watching it if you can because Alex Da Corte is not well spoken in the interview.
-“The Talent Myth” by Malcolm Gladwell (The New Yorker)
Was Enron wrong to nurture their best and brightest? I’m not a Gladwell fan, but this article strikes the closest to the heart of why Enron was such a fascinating disaster to me. Maybe it isn’t individuals who make big group projects work, but instead how the group works together.