Jonathan Gold gone too soon

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Robin’s Book Report #39
A culture and economics reading list by Robin Kaiser-Schatzlein

Agenda
-Jonathan Gold
-Working less to increases productivity
-Frankenstein’s monster at the art show

 

What I am reading

Jonathan Gold, Food Critic Who Celebrated L.A.’s Cornucopia, Dies at 57 by Pete Wells (New York Times)
I found Jonathan Gold’s writing in 2011, while I was trying to get a better handle on Korean food. He has a long list of dishes to try in L.A.’s Koreatown. He was a wonderful writer and I was shocked to see that he had died last Saturday. Too soon.

The Four Day Work Week is Good For Business by Adele Peters (Fast Company) +
5-Hour Work Day Increases Productivity (Business Insider)

Having every worker in every industry work an eight-hour day, five days a week doesn’t make sense. How could every single industry require the same amount of labor. Here’s a solution: 15-hour work week should be mandatory (pay remains equivalent to 40 hour workweek), with some sectors working less of course!

A Buffy the Vampire Slayer Reboot Starring an African-American Buffy Is on Its Way (Vulture)

If you ever watched Buffy, you’ll know that this reboot makes a lot of sense. A new slayer is activated every time the last one dies, so the show is ripe for rebooting (not that ripeness has ever stopped the reboot i.e. Spiderman).

An Artist Remakes a Film Classic — With Frankenstein’s Monster By MH Miller (T Magazine)

The video discussed in this article, “The Perfect Monster”, is currently on view at David Zwirner on 19th street. It is a shot-for-shot remake of a Jørgen Leth video, “The Perfect Human,” from 1967. But instead of focusing on young man, Da Corte’s video’s character is Boris Karloff and Frankenstein. The artist stars as both characters, in goofy and terrible prosthesis. Da Corte delivers wonderful and inventive set-design. The colors and textures are fun and joyous. There are dollar store brooms and lunch meat placed on the back of Frankenstein’s neck. I fell in love the first moment I saw it. If you get a chance to check it out, please let me know what you think. If you don’t live in NYC you can check out bits of the video here, though I would discourage watching it if you can because Alex Da Corte is not well spoken in the interview.

-“The Talent Myth” by Malcolm Gladwell (The New Yorker)

Was Enron wrong to nurture their best and brightest? I’m not a Gladwell fan, but this article strikes the closest to the heart of why Enron was such a fascinating disaster to me. Maybe it isn’t individuals who make big group projects work, but instead how the group works together.

Continue reading “Jonathan Gold gone too soon”

Five pieces of advice for aspiring journalists

I recently came across a few online articles that offered great advice for aspiring journalists. I’ll share five of them with you here:

Lots and lots of great stuff here. The best is the last piece of advice from Gay Telese:

“Shortly after I became a reporter at The New York Times, at 24, in the autumn of 1956, a venerated old-timer on the staff named Peter Kihss told me one day: ‘Young man, stay off the telephone. Show up in person. No matter how inconvenient it may be, always meet face-to-face with the person or people you’re interviewing. Stay off the phone. Show up. Look people in the eye. Observe everything first-hand. Be there!’ That advice was received more than 60 years ago, and I’ve followed it ever since.

I’m now 85. I am still a working reporter; and although most of my reportorial work these days appears in the form of books or magazine articles, it is always observed first-hand and is storytelling in form, with lots of descriptive scenes and dialogue whenever possible. I sometimes refer to my method as the ‘Art of Hanging Out.’ Once, in order to write a profile about a Chinese female soccer player, I flew to Beijing and spent five weeks researching her story while traveling with her team. On another occasion, I followed a Russian opera singer on tour from Moscow to Buenos Aires to Barcelona and finally to her performance on stage at the Metropolitan Opera House in New York. When I was a young reporter, the telephone was the ‘new technology.’ Now, as I watch the new generation of journalists focusing all day on their laptops, and on their smartphones, pursuing stories diligently with their eyes and heads bent downward, I’m tempted to recall the words of the late Peter Kihss. ‘Stay off the phone. Look up. Observe things first hand. Be there!’”

One of Klein’s best tips: take opportunity over prestige. Work when you can instead of waiting for the perfect pitch to be picked up by the perfect publication.

I liked this advice here:

“Become an expert in something, or even two things, and you should be able to find a niche, even if it’s a small one. “Spec reps” [specialist reporters] are harder to replace than generalists, and a specialist can get better with age and experience.

Good journalism is when readers feel or even say to themselves: ‘I’m glad I read that.’ The most brilliant story is wasted if nobody gets past the first paragraph. Or, worse, thinks you’ve wasted their time.”

Mark Kobayashi-Hillary

Expertise is recession proof.

It might not be necessary to go to J-School, from famous author (and journalist) Michael Lewis.

Investigative journalist Pat Smith on the sociological realities of being a journalist in the world:

This is not the career for people wanting to be popular. If you want to be popular, open an ice cream store. This is about being fair and accurate and making our communities better.

Reminds me of Janet Malcolm’s opening line of The Journalist and The Murderer: “Every journalist who is not too stupid or too full of himself to notice what is going on knows that what he does is morally indefensible.”